Klaxons have got glowstick-waving fans, yes, but really, there’s so much more to this band than retro-beats, explains frontman Jamie Reynolds. For instance, have you heard the one about his spiritual healer grandfather.
They invented 'nu rave', bagged the Mercury Music Prize and gave Noel Gallagher the mother of all migraines. You could say the Klaxons have had a busy 2007.
Quite what we are to make of Klaxons is proving confusing, as they lurch from the ridiculous ‘Magick’ to the sublime ‘Golden Skans’ in the space of two singles. ‘Gravity’s Rainbow’ sits somewhere in the middle, a chaotic mish mash of ideas and lyrical nonsense. Shouldn’t work, nearly does.
If it’s Thursday it must be time for the UK music press to invent a new scene. Thus following on from the New Wave of New Wave, Shoegazing, Britpop, the New Rock Revolution etc etc, comes the New Rave ‘movement’ and their trailblazing leaders, Klaxons. You might not be surprised to learn that Magick sounds nothing like the rave records I remember – and it’s really not at the races. They may well disappear, but beware: the New Wave of Irish Riot Rock is only around the corner…
The Killers wrapped up Oxegen for another year but not before the 80,000 music fans in attendance saw the likes of Arcade Fire (pictured), Kings Of Leon, The Gossip, Klaxons and Brian Wilson.
The Sunshine Underground were recent stars of the Indie Rave tour with Klaxons and CSS, although the indie guitar of ‘Borders’ would suggest that they have as much to do with rave as, well Klaxons and CSS. Fine, fine tune though. CSS themselves have found their label the subject of a major label buy out and so the process of pushing their album begins all over again, strangely with this rather lack lustre affair.
Beloved of both nu ravers and Timbaland who neglected to ask permission before sampling one of their songs, Crystal Castles might just be the biggest band to come out of leftfield this year.
Whatever the scepticism that this whole new dance thing generates, even the hardest cynic has to admit that the punters are going for it and there are a few great records coming out of it. Klaxons' latest is one, as was New Young Pony Club’s ‘Ice Cream’. ‘The Bomb’ isn’t quite up to the standard of either but is nice enough in its own, detached electronic way. Still what any of this has got to do with rave is beyond me.
Lord only knows what happened to her after The Corrs went on hiatus, but Andrea Corr’s back with a new stylist, a new fringe and a totally different sound. With Bono as “executive producer” (whatever that means), ‘Shame On You’ sounds like she’s aiming to do for pop what the Klaxons did for indie. In other words, be shamelessly bleepy. Ah, we missed Euro-pop.
They're flagbearers for the 'new eccentric' scene and the toast of the fashion set. So what are These New Puritans doing writing songs about Michael Barrymore?
The Automatic and The Klaxons are to headline the NME tour, which this year is divided into two genres: indie rock and the ludicrously monikered 'indie rave'.
Champagne corks are popping in the Fionn Regan camp following the news that his The End Of History album has been shortlisted for this year’s Nationwide Mercury Prize.
The Heineken Green Spheres gig, featuring Crystal Castles, which was due to take place next Tuesday, September 30, has been moved to the following Thursday.
Bland pop, dull mainstream rock and generic indie-schmindie are poison. But as the title of their album suggests, Foals have got the rhythmical remedy.
He used to be the ultimate indie no-hoper. But now JACK PEÑATE has discovered Krautrock, nu-rave and world music and released one of the year’s most engaging, and surprisingly accomplished, records. He talks about cultivating his eclectic side and discovering an outsider sensibility he describes as ‘joyous melancholy’.
Patrick Freyne interviews chief Charlatan tim burgess, about 20 years of music, a new collaborative album and his role as a mentor for this year’s JD Set band competition.
From piano-plonking crooners to nihilistic electro-pop duos, the UK and US are bursting at the seams with fresh talent in 2007. Could there be a new Arctic Monkeys out there somewhere?
The work of Birr fashion illustrator Sorcha O’Raghallaigh is attracting nods of approval even from those who have little interest in fashion. Jackie Hayden talks to her as her second exhibition comes to Dublin.
The Charlatans have reclaimed their DIY ethic and released their latest album as a free digital download. It's a far cry from the days of booze, E, and backstage encounters with Madonna.
Get your dancing shoes on. Electro newcomers Magistrates are here to rock your blocks off. They talk about hanging out with Damon Albarn, worshipping Michael Jackson and living up to the legacy of heroes like Bowie and Talking Heads
The most brilliantly outspoken mind in rock’n’roll, or just a mouthy Sheffielder who says mean things about Johnny Borrell? As the second REVEREND AND THE MAKERS album hits the shelves, Celina Murphy chases down the ever-intriguing Jon McClure.
Glaswegian indie outfit Sons And Daughters are set to make a big impact with their most pop-influenced album to date. They talk about surviving Bernard Butler bootcamp, touring with Morrissey and, er, covering Adamski.
She’s shaping up to be one of the break-out stars of 2009, with a number one album and a Mercury Prize nomination to her name. We catch up with Florence And The Machine’s Florence Welch, who talks about becoming an overnight sensation, reflects on her bizarre childhood and explains why her most controversial song really isn’t as contentious as it’s made out to be.
Patrick Freyne talks to Ken McHugh of Autamata about his double life as artist and producer, his new album, Colours of Sound - and about moving to the country.
Roisin Dwyer catches up with electropop duo MGMT to discuss their greatest rock 'n' roll moment, Jools Holland and their growing reputation as popular music's new trouble-makers.
The new Hot Press follows hot on the heels the biggest weekend in Irish rock 'n' roll history, with The Ultimate Oxegen report, plus a world exclusive REM interview.
Newly signed to Universal, the Duke will release his new 'Sweet Sweet Kisses' single next month, followed by a nationwide tour taking in no less than 12 counties.
No rabble-rousing rock panto pandering, no gratuitous guitar solos or simplistic speechifying, just towering songs garnished with soaring melodies and counter-melodies.
It’s too early to write Maxïmo Park off, or to turf them into the ever-growing pile of indie also-rans. But they’ll need to pull out all the stops to recover their poise after this worrying misstep.
The ordinary people of Ireland have made the running of the Special Olympics here possible. The government must now do its bit for people with disabilities.
The relationship between drugs and creativity has always been a hotly debated subject. But narcotic indulgence has proven to be the downfall of many a gifted artist.